Tlahoun Gessesse --Ethiopian Urban Modern Music Vol 4A stunning set of vocal recordings by Tlahoun Gessesse -- one of the most important singers during the golden age of Ethiopian Music -- caught here on a set of sides that sadly saw that period coming to an end! The tracks on the set are mostly from the early 70s, a time that saw great political changes in Ethiopia -- and tremendous censorship and restrictions on cultural production. Gessesse's vocals during this time are perhaps even more melancholy and heartfelt than before, and he's working here on a number of sides with the legendary Mulatu -- with arrangements that have a angular, almost modernist edge. Despite the language barriers that keep us from understanding what Gessesse's singing about, there's an incredibly evocative quality to the work that transcends time and place -- and titles include "Alegntaye", "Aykedashem Iebe", "Ene Negn Wey Antchi", "Yene Felagote", "Beyet New Mengedu", "Lantchi Biye", "Tchuheten Betsemu", and two versions of "Kulun Mankwalesh"
01. alegntaye (4:39)
02. kulun mankwalesh (arrangement by mulatu astatqe) (2:59)
03. michael – aykedashem lebe (4:59)
04. michael – beyet new mengedu (4:01)
05. michael – ene negn wey antchi (4:30)
06. michael – yene felagote (4:08)
07. tezalegn yetentu (3:41)
08. michael – tchuheten betsemu (3:32)
09. lantchi biye (3:07)
10. kulun mankwalesh (arrangements by mulatu astatqe) (4:41)
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Big Joe Turner - The Trumpet Kings Meet Joe Turner01 Mornin’, Noon and Night [Turner] 4:17
02 I Know You Love Me Baby [Turner] 15:51
03 TV Mama [Turner] 14:01
04 ‘Tain’t Nobody’s Bizness If I Do [Grainger, Prince, Williams] 7:37
Harry “Sweets” Edison, Roy Eldridge, Dizzy Gillespie, Clark Terry (tp)
Jimmy Robins (p, org)
Pee Wee Crayton (g)
Chuck Norris (b)
Washington Rucker (d)
Joe Turner (vo)
This album features a most unusual session. Veteran blues singer Joe Turner and his usual rhythm section of the mid-’70s (which includes guitarist Pee Wee Crayton) are joined by four notable trumpeters: Dizzy Gillespie, Roy Eldridge, Harry “Sweets” Edison, and Clark Terry. On three blues (including the 15-minute “I Know You Love Me Baby”) and “Tain’t Nobody’s Bizness If I Do,” the group stretches out with each of the trumpeters getting ample solo space. It is not a classic outing (a little more planning and better material might have helped), but it is colorful and unique enough to be easily recommended to straight-ahead jazz and blues fans.
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